top songs of the 70s

My Love - Paul McCartney & Wings Fred Schneider is the man talk-singing over the top, but it’s the inspired mix of spooky 50s rock and new wave that makes this more than a curiosity.For such an unusually catchy tune ‘The Model’ took years to make an impact, starting life as a snappy pop interlude on 1978’s ‘The Man Machine’ before becoming a single that was largely overlooked until the end of 1981 when it suddenly pelted up the UK charts right to No.1. Here’s a showcase of the best rock songs of the 70s. Creating an actual song, Kraftwerk beat the pop stars at their own game.Separate it from the weddings, hen parties, endless party showings of Mamma Mia and screeching karaoke versions and – well – here you have one of the greatest pop songs ever. WAR Low Rider / So (1975) [Single] Low Rider: Low Rider: 99: 99. She did so with this song in 1973 and "Killing Me Softly with His Song" in 1974. All of those songs were released in the 1970s era, between 1970 until 1979. Originally recorded by Thelma Houston in 1973, the song became a chart-topping hit for Ross when after she covered it for the soundtrack of one of her films.Long before she believed in life after love, Cher unleashed this hit single in 1974 off of her 11th studio album of the same name. It is not physically possible to be in the presence of ‘Le Freak’ without dancing on command, which is ironic considering the song is actually about not being able to get into Studio 54 – so having your own party on the street anyway.One of Blondie’s finest, down to its nursery rhyme simplicity, skipping along on with giddy new wave swagger. With good reason: Ozzy’s on fine – albeit incomprehensible – form, Tony Iommi sets the riff to ‘bludgeon’ and Geezer Butler and Bill Ward keep that rhythm section galloping. Stripped of all his past production crutches, here Drake is stripped to the elemental basics, purring about the ominous moon that’s “‘Cars’ was significant in that it married Numan’s Tubeway Army experiments with a more conventional, rock song structure. The Way We Were - Barbra Streisand First they fire off taut licks at each other, later they solo all over the joint, and ‘Marquee Moon’ never gets boring.Produced and written with legendary Memphis soul man Willie Mitchell, Al Green’s persuasive soul smoothie slinked to No.1 in the States – his only single to do so – and a dozen years later provided Tina Turner with her big return to the limelight. Otherwise LA band The Knack’s debut single is the one memorable note of an on-off 30-year career, a Mike Chapman (of Blondie fame) production with a spiky riff that punkifies the power pop and pushed the track all the way to a Billboard No.1.It’s unlikely you can listen to this without seeing the brothers Gibb swinging fearlessly around a building site or John Travolta strutting down the urban catwalk, but at a few decades’ remove ‘Stayin’ Alive’ is an astonishing record even without the iconography. So let’s not understate it. We couldn't if we tried.Taylor's funky disco track has the distinction of being the first single to ever earn platinum status by the RIAA when the concept was initially introduced.
Brilliant.One hell of an album opener. With the groundwork for a new sense of aesthetic and personal freedom laid in the swinging 60s, people experimented with their sound, look and entire persona in more and more extreme ways. Neither do songs like "Tie a Yellow Ribbon Round the Ole Oak Tree." Over to the conspiracy theorists.

There’s no artifice here – which is Parton’s main strength. Who can forget the disco queens and rhinestone cowboys?

With a knowing nod to JG Ballard, Numan retained his high art credentials to create an trailblazing pop single which sounded like the future.Penned for ‘Darkness On The Edge Of Town’ by Springsteen, the Patti Smith Group re-tooled it to give it a more poetic nuance. Title Artist(s) 1 "Bridge Over Troubled Water" Simon & Garfunkel: 2 "(They Long to Be) Close to You" The Carpenters: 3 "American Woman" The Guess Who: 4 "Raindrops Keep Fallin' on My Head" B.J. Their ever-evolving sound meshed with a Floydian level of the surreal in the lyrics to create this one-note stomper where Colin Newman twisted his voice into unlikeable shapes to create a sonic earworm that you’d never forget.The Mael brothers’ most majestic, rabbit-out-a-hat single suggested magic realism via The Wild West.

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